SEWN: Holiday Dress 2018 (Butterick 6453)

Happy holidays everyone! I hope everyone is having a great holiday so far. The year 2018 hasn’t been the best for me, but I have learnt a lot and grown a lot personally and creatively. I can’t wait to usher in 2019! Of course, there will be a post talking about how I did with #2018MakeNine (uh, news flash, I didn’t make all of them of course) and my plans for 2019.

Before I start getting teary reflecting on 2018 and dreaming about 2019, here’s my latest make – my holiday dress for 2018! Last year, I made a self-drafted pencil skirt using a super kitschy Christmas Kitty fabric. This year, I decided to be a little bit more “proper” and picked this red poinsettia print set against a black background.

Progress: I took a photo for each night that I made progress on this dress. The first 2 photos feature an old RTW dress I cut up to make the muslin.

I wasn’t sure if I was going to make a dress for this Christmas at first, and by the time I decided that I do want to make something with this fabric, it was already almost the middle of December. So, I decided to pick a simple dress that would be easy to make.

The Butterick 6453 by Gretchen Hirsch (with McCall Pattern Company) is something that has been sitting in my stash for the longest time. I’m pretty late to the game because the original sew-along on Gertie’s blog occurred wayyyy back in March 2017. But yeah, better late than never!

This is probably the easiest thing I have made this year. I made a muslin for the bodice (*gasp*!) and only had to slice off the sides to fit my bust and my waist.

Here are the all the changes I made in this version:

  • Slices off sides of bodice to fit my bust and waist
  • Shortened the length of the bodice
  • Shortened length of skirt
  • Used invisible zipper instead of regular zipper (only because I had an invisible zipper in the right colour sitting in my sewing box and I really didn’t want to run out to get a new zipper)
  • Shortened the straps by around an inch – in hindsight, I should have followed by guts and shortened it even more. I wear the dress with the straps adjusted to the shortest length!
  • Used bias tape for the seams of the facing – I wanted to be a little fancy! Also, I had some red bias tape left from making my cheongsam and I just wanted to finish it… heh

I love how it has turned out and it’s so satisfying to see the “Gwenstella Made” label on the facing as well!

By the time you read this, it would be less than a week until 2019. If I don’t get to write anything here before then, here’s wishing you a magical start to 2019. Thank you for being part of my creative journey in 2018. I have enjoyed writing every single post and reading all the comments that you wrote. I hope you’ll continue to hang around in 2019.

To new beginnings! x G

Wearing: Secondhand faux fur cape, vintage 60’s faux snakeskin purse, me-made B6453 dress, old RTW heels, vintage earrings & necklace

SEWN/RESTYLED: Country Road Dress (2011 make)

You know the funny thing about time? Time changes people.

It’s been several years since I started sewing and I think I have changed a lot since the time I started creating with my Elna Sew Fun for the first time. My style has evolved and my skills have advanced (even if it’s just for a little bit).

Back in 2011, I shared my “vintage-inspired Country Road dress”. As I proudly wrote in my original blog post, it’s the 4th thing I had ever sewn. Ah those early years!

The original “Country Road” dress from 2011

Fast forward to 2018, many of the clothes I made during my first years of sewing have ended up being stored away in the dark corners of my wardrobe, neglected and forgotten. As I move towards trying to be more thoughtful and deliberate in the things that I make, I have also begun to think about all the things I have made and forgotten.

The original design made using New Look 6824

Obviously, I stopped wearing these items for a reason. For example, this dress that I made back in 2011 using New Look 6824 is no longer my current size, and no longer the length that I like going for these days. Also, I didn’t mention it in the original blog post, but I have always been unhappy with the way the neckline sits on my bust. The corners are kinda creased because I unknowingly clipped too much of the seam allowance away.

I had a little more than 0.25m of this green+purple gingham fabric stashed away for the longest time, and one day it dawned on me that I had to do something about this little piece of fabric and this forgotten piece of work. Moreover, I needed to sew a muslin for the bodice of my modified version of the Butterick 5209 (B5209) sewing pattern for my wedding dress. If I could: a) get a “new” casual day dress of out of this, b) revive my old dress, and c) use my fabric stash – WHY NOT.

So, here’s how I made my old dress into a new dress:

  1. Removed back centre zipper and unstitched bodice from skirt
  2. Lined bra pads with fabric from old bodice
  3. Make the sleeveless version of the B5209 with the remaining 0.25m of the original gingham fabric with the following modifications
    • sized down to my measurements
    • left the halter design open for addition of straps for a halter tie-back design
  4. Drafted the halter straps with a coordinating purple fabric and stitched them on
  5. Added the new B5209 bodice on the old New Look 6824 skirt (also resized the waist) with a side zipper and bra pads inserted – I had to make sure the bra pads were lined because the gingham cotton is kinda sheer
  6. Chopped off a portion of the bottom of the skirt and added a short width of the coordinating purple fabric to lengthen the skirt

New version of the dress: Front view

New version of the dress: Interior view

And that’s it! I thought I had more photos of the process taken but somehow I didn’t have them saved on my phone. I think everyone enjoyed the process photos in the last blog post so I will make sure I have the process photos taken for easier visualisation in the future!

I really think adding straps for a halter back-tie design is a great hack for the 1950’s style Retro Butterick 5209 pattern. You can also try adding a tapered pencil skirt or a quarter skirt like I did for this dress for several different looks!

Let me know what you think about this simple refashioned project. Also, how does everyone else cope with the handmade items that you have “grown out of” (either size-wise or style-wise)?

MADE: Knitted Beauty School Tops in Baby Pink and Powder Blue

Earlier this year, I test-knitted the Beauty School Top and matching Beauty School Turban patterns for Amy Appel (@poisongrrls). It was not my first time test knitting for Amy but these patterns turned out to be my favourite designs by her so far.

The sweater has a basic design that is full of possibilities and has an amazing fit for a 1950’s style silhouette. It’s a definite staple for any handmade vintage style loving lady.

When I did the test knitting, I chose a cotton blend yarn in baby pink because I wanted a colour that would go with my Country Garden skirt and Country Garden dress, and a fibre that would be suitable for this tropical climate. When I did a swatch of the yarn, I felt that the yarn seemed to be like lighter than the fingering weight that the pattern called for, so I ended up having to use small needles (i.e. 3.00mm instead of 3.25mm). To ensure a safer fit, I also decided to add stitches to the circumference of the sweater.

The sweater turned out to be such a dream, I wanted to make another one in a different colour. So, I decided to make one in powder blue as a birthday present for my friend!

As I am practically incapable of making the SAME thing twice within the same year, I decided to change it up and made some modifications to the pattern the second time round. Also, my tension seemed to have loosened up a little this time round so I used the required 3.25mm needles. Moral of the story: swatching is important and test-knitting is fun but stressful.

Can you spot the differences?

At a glance…

Project link on Ravelry: Baby Pink version & Powder Blue version
Pattern:
 Beauty School Top by Amy Appel (aka @poisongrrls) [link]

BABY PINK VERSION
Yarn: Hamanaka Sea Queen Shine Cotton “Lamé” in baby pink (with shiny metallic strand)

Modifications:

  • Needles: Used 3.00mm needles instead of 3.25mm to make the stitches denser
  • Chest size: Sneaked in 4 stitches in total across the chest (2 at the front and 2 at the back when casting on extra stitches to join the shoulders pieces) as I was aware that cotton could have less stretch
  • Length: Added 10 more rounds of knitting at the bottom to make the sweater longer

POWDER BLUE VERSION
Yarn: Hamanaka Sea Queen Shine Cotton in powder blue (aka no metallic strand)

Modifications:

  • Sleeves: 12 rounds of ribbing instead of 6
  • Neckband: 5 rounds ribbing with smaller needles, 5 rounds ribbing with larger needles

Obviously, I am wearing my good bra in these photos to achieve the 1950’s style silhouette. These sweaters are sure snug! For anyone who is not a fan of snug, cropped tops, I will suggested making it wider by casting on more stitches when joining the back and front together, and longer by knitting more rounds between each decrease from bust through the waist to the hem.

Do you have this pattern on your queue or have you also made one? Let me know what you think about my pastel versions of the Beauty School Top!  xx

SEWN: 1950’s style Blue Floral Cheongsam (Simplicity 8244)

If there’s one type of dress that I need more of in my wardrobe, it has to be cheongsams. Also known as qipaos, cheongsams are traditional Chinese dresses that were once the national dress of Republic of China in the 1920s.

I have a couple of cheongsams custom-made during my vacation in Shanghai many years back (like this one), but I have always wanted to make one myself. It’s always better when you make it yourself, isn’t it? When I came across the Simplicity 8244, which is a reproduction of a 1950’s vintage cheongsam pattern (Simplicity 1018), I knew it is the perfect pattern for me to begin my cheongsam-making journey.

What I love

There are so many things that I love about this pattern. The kimono sleeves offer more freedom in movement and the illusion of a fuller bust, while the double waist darts provide the illusion of a slimmer waist. More importantly, the design options offered me the chance to give the pattern a go without the pressure of failing in perfecting the mandarin collar and the placement of the frog closures!

To be honest, I really enjoyed every part of the process in making this dress. The bias tape finishing is such a nice touch and I loved the meditative act of hand sewing it on.

What I loathe

If I must say, the trickiest part of the pattern would be sewing the side vents. I struggled with understanding the instructions when reading it at first but figured it all out at the end. My experience in sewing the vent for my Christmas Kitty pencil skirt definitely helped.

Also, I made a boo-boo when cutting the back and front of the dress. I cut the fold line of both front and back pieces by accident and ended up having to mend the cut with some interface and zig-zag stitches. The thread and fabric matched up so well, it’s hard to see it from far. It’s not perfect but I am okay with it. Really, can you even see it from far?

 The fabric and other notions

This navy floral polycotton has been sitting in my stash for many years. I bought them from Spotlight while I was still living in Sydney. That means that it has been sitting in my stash for at least 5 years. FIVE LONG YEARS. I definitely did not think that I would make a cheongsam when I bought this fabric, but this fabric stood out amongst everything else I have in my stash. I knew it would look outstanding with red bias tape as a contrasting design point.

To make sure that I have the exact same red for the buttons, I made self-covered buttons using the bias tape.

The fit

While the pattern did not state the kind of fit that the final dress gives, I found the ease in the bust to be a lot more generous than the ease in the waist. Being petite and having a modest 32″ bust with my best bra, I ended up taking in an extra 1cm on each side of the side seams for the top half of the dress (i.e. bust/bodice) after sewing everything up. This is despite grading down from size 6 to size 4 in the pattern before cutting into the fabric!

And of course, as usual, I modified the length of the dress for my height. I am 5’2″ (157cm) and I can safely say that ALL Big 4 patterns require modifications in length for my height.

Zig-zag machine mend on the centre back. You can also still see my fabric chalk marking on the fabric. Oopsey!

Take a close look and spot the zig-zag mending on centre front

Absolutely love the bias tape finishing!

The side vent

The future

What do you think about the dress? I definitely have plans to make a version with the mandarin collar and frog closures. True to my history of fabric pattern obsession, I have about a yard or so of this SAME design but in white, and I am wondering if I should make a cheongsam top with it, or sell it in my efforts to destash and simplify.

xxx

At a glance…

Pattern: Simplicity 8244, view B
Fabric: Navy floral from Spotlight
Size made: Graded from size 6 to size 4
Modifications: Took in additional 1 cm on each side of upper body (i.e. upwards from waist), shortened the length

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Me Made May 2018: Round-up and reflection

Hello June! The month of May had come and gone in the blink of an eye and I hope everyone had fun taking part in Me Made May organised by Zoe from ‘So, Zo…’. I know I definitely had fun going through my handmade wardrobe and discovering other like-minded makers on Instagram!

My pledge for Me Made May this year is to spend time reflecting on my makes and to get a clearer idea of where I want to go in my handmade journey. Since I rarely wear my me-mades to work on the weekdays (because my work involves getting rice cereal, blue dye and drool on what I wear on a regular basis), I thought it would make more sense to just do a round-up and reflection at the end of the month.

So here’s a round-up of all the key pieces I wore on the weekends (and public holidays) for the month of May 2018. They don’t look like a lot because sometimes I repeat the outfit and accessorise differently, and  sometimes I stay home and just wear my me-made pyjamas (this and this).

With just one look, I think it is easy to tell that I love prints. I started the month with a couple of fruity prints, progressed to floral prints (based what people picked via an IG story poll), and then ended with classic gingham. There is a mixture of very old makes from way back in 2012 (which is the year I started sewing more seriously), and more recent makes from earlier this year in 2018.

And here’s a breakdown of all the things I love and loathe about these me-mades:

  1. 1950’s style Retro Rockabilly Cherry Dress

    Year made: 2012
    Pattern: New Look 6020 (View D)
    Thing(s) I love: I mean, just look at that sweetheart neckline!
    Thing(s) I loathe: I still think this dress is pretty cute. But the combination of fabric just seems a little too cute-sy for me now and the skirt length just isn’t what I am into right now.
    Future plans/things to note:
    It’s gonna break my heart but I will have to take this dress apart and transform it into something that I still want to wear and feel great in. I still have some of that cherry print fabric so maybe I will make a set of 1940’s inspired sun top and bottom. Also, I think I should always make sure that my 1950’s style skirts are always below the knee in the future.

  2. 1950’s style Lemon Drop Dress

    Year made: 2017
    Pattern: Vintage Reproduction Circa 1952 Vogue 2902
    Thing(s) I love: That built-in petticoat made with inspiration from Gertie’s Ultimate Dress book! Took more time to complete the dress but definitely worth the trouble.
    Thing(s) I loathe: You can’t tell in the photo because of the belt, but the bodice is about half an inch shorter than I would like it to be
    Future plans: I definitely should continue to take time to ensure that the wrong side of the dress looks as well-made as the right side of the dress… and work towards maybe making a dress with a built-in dress like Christian Dior’s! Also, I need to pay more attention to getting the right body measurements.

  3. 1950’s inspired Blue Country Garden Skirt

    Year made: 2018
    Pattern: self-drafted
    Thing(s) I love: The classic floral print!
    Thing(s) I loathe: It’s really a pretty decent piece of work! There’s nothing that I dislike about it.
    Future plans: I am kinda getting sick of making flared skirts (i.e., circle or gathered). Time to move on to exploring making pencil skirts, gored skirts etc! But I definitely need to slowly expand on my country garden collection. For example, I love how my knitted sweater (No. 4) goes so well with this skirt!

  4. 1950’s style Beauty School Top

    Year made: 2018
    Pattern: Amy Appel’s (aka Poison Grrls) Beauty School Top
    Thing(s) I love: Amy did such a great job with the pattern for the sleeves. They fit LIKE A DREAM.
    Thing(s) I loathe: Just a tad not a fan of the neck opening. It might just be me being tight with my stitches but it takes a bit of effort to get through the neck opening.
    Future plans: I already have plans to make another one in blue for my best friend!

  5. 1940’s style Retro Rosie Floral Dress (Pink version with sleeves)

    Year made: 2014
    Pattern: Vintage Reproduction Circa 1947 Butterick 5209 (View B)
    Thing(s) I love: I am absolutely in love with this dreamy shade of dusty rose pink!
    Thing(s) I loathe: I think in 2014 I was still figuring out ease and my body measurement. Or maybe I lost some weight? At this point I can’t remember. But I don’t like how this dress is kinda loose on me. Wearing cinched me-made 1950’s style clothes has made me used to having clothes extremely close to my body.
    Future plans: Part of me wants to sell this dress. It would look SO MUCH BETTER on someone else with the right measurements. Part of me wants to save it for when I gain weight in 10-20 years’ time. But for now, I have no real plans for this dress, except to wear it again when the mood calls for it.

    1940's style Retro Rose Floral Dress (Purple version without sleeves)
  6. 1940’s style Retro Rosie Floral Dress (Purple version without sleeves)

    Year made: 2014
    Pattern: Vintage Reproduction Circa 1947 Butterick 5209 (View A)
    Thing(s) I love: Definitely in love with the Monroe vibes over here! This is also the first piece that I made with bra pads sewn in by hand. I have also since learnt to plan ahead and sew the bra pads in between the main fabric and the lining (like my 1950’s gingham sun top listed as No. 9)!
    Thing(s) I loathe: The initial final product was so loose on me I had to sew some elastic along the upper edge of the back and take in an inch where the straps join behind the neck. On the other hand, this unfortunate outcome gave me the opportunity to learn to use shirring elastic!
    Future plans: So if you have been following me on my Instagram via @gwenstellamade, you will know that I have been talking about making my wedding dress. My original muslin for my wedding dress failed so now I will be hacking the pattern for this bodice to make my wedding dress. I am getting married in 2 months so it MUST and WILL be done by then!

    1950's Pullover Sunday Picnic Dress

  7. 1950’s style Sunday Picnic Dress

    Year made: 2018
    Pattern: Vintage Reproduction Circa 1952 Retro Butterick 6212
    Thing(s) I love: The stark contrast of red gingham skirt with a white bodice. Also, I like anything in gingham, really.
    Thing(s) I loathe: The questionable fit of the armhole, demonstrated in my Youtube video here
    Future plans: MAYBE (as in like, HUGE MAYBE) modify the pattern and improve the bodice/armhole situation… and just continue wearing this as a regular dress..

  8. 1970’s style Baby Blue Gingham Prairie Dress

    Year made: 2012
    Pattern: Vintage 1970’s Butterick 6124 (View A)
    Thing(s) I love: Those puffy sleeves and the dual ways of wearing the dress (i.e. shoulders on or off)
    Thing(s) I loathe: A tad too girlish for me
    Future plans: Make more peasant style tops! Perhaps consider making my own pattern by hacking into this vintage Butterick pattern or purchasing Gertie’s Rita Blouse (via Charm Patterns by Gertie). Maybe stop wearing this when I turn 40 and feel too old for this.

  9. 1950’s style Gingham Bra Top and matching skirt

    Year made: 2017
    Pattern: Top = Simplicity 1426 (View A), Bottom = self-drafted basic gathered skirt
    Thing(s) I love: Definitely the classic gingham print and this shade of green!
    Thing(s) I loathe: Naive increase in the length bottom band of the bra top to make a top without any regard for the shape of my waist
    Future plans: Continue making Simplicity 1426 but put in more thought into modifying the pattern into proper tops and perhaps even a bodice for a dress. That means darts and maybe an elasticised back!

I know it’s only June but I really feel like the year is whizzing by so quickly! I can’t wait to see what other sewing adventures I will go on for the rest of the year (and all the years after). But I know that in the short term, these are the 5 things I want to work on:

  • Make more pencil skirts
  • Use more solids to build a versatile me-made wardrobe
  • Hack previously-used and loved patterns
  • Get the right fit with commercial and self-drafted patterns
  • Write crochet patterns
  • Reflect and re-invent

What are some of the things you learnt about yourself and your own sewing through Me-Made May? I’d love to hear your thoughts about them! By the way, which one of these makes is your favourite? xx

More details of the above me-mades:
1950's style Retro Rockabilly Cherry Dress (here)
1950's style Lemon Drop Dress (here)
1950's inspired Blue Country Garden Skirt (here)
1940's style Retro Rosie Floral Dress (Pink version) (here)
1940's style Retro Rosie Floral Dress (Purple version) (here)
1950's style Sunday Picnic Dress (here)
1970's style Baby Blue Gingham Prairie Dress (here)
1950's style Gingham Bra Top and matching skirt (here)

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SEWN: Pineapple of my Eye (1950’s inspired weekend wardrobe)

Gwenstella Made Vintage Style 1950s Pineapple Holiday Wardrobe

Gwenstella Made Vintage Style 1950s Pineapple Holiday Wardrobe

Two weeks ago, I was in Sri Lanka for a short week-long vacation and finally got the chance to bust out my Gwenstella Made retro 1950’s style pineapple holiday set! Making and owning a vintage inspired weekend wardrobe has always been a dream of mine, and it’s finally happened after many months of planning and sewing. Creating weekend wardrobes is the real reason why I often buy a generous amount of yardage for a specific fabric I really like, or why I buy fabric from the same design series. Remember the Country Garden Dress and the Country Garden Skirt? I just love being able to coordinate and mix-and-match all the pieces in my wardrobe!

If you follow me on Instagram (@gwenstellamade), you will know that I have been working on this set since 2017. Yes, it took me the whole of 2017 to complete the set, but I enjoyed every part of the process.

This weekend wardrobe set is pretty basic. It consists of a full circle skirt, a pair of high-waisted shorts, and a classic bra top, and here are the details of each item:

Convertible Bra Top:

Pattern: Simplicity 1426, View C
Details:

  • with bra pads sewn into lining
  • with bias strip sewn along top of lining to conceal white lining that was peeking out from the front
  • white organic cotton lining

1 top, 2 straps, 3 different styles!

This is the second bra top I have made using Simplicity 1426. The first one was the green gingham version. This version is much trickier than the green gingham one I made. Hot tip: Don’t use a white lining. The pattern stated “lining”, but really, I think I should have just used the same fabric as the rest of the top. The white lining was peeking out from the top middle portion of the top and I had to hand-sew a self-made bias tape along the inside of the upper edge of the lining to conceal the white lining. This was what killed my motivation a little and got this entire set placed on hiatus mode initially.

Bias tape hand-sewn along the upper edge to conceal the white lining, and bra pads sewing between the main fabric and lining

Regardless, I pulled myself together and completed the top in good time. This classic mid-century design is definitely a must-have in any mid-century style fashionista’s wardrobe. The BEST thing about this top is the removable straps. I can make 3 different looks by placing the straps in different ways and removing it all together!

 

High-waisted Shorts:

Pattern: Self-drafted
Details:

  • 1 inch waist band
  • Lapped zipper on left side seam
  • Button closure, with 2 buttons for waist adjustment
  • with bright yellow pom pom trimming
  • white organic cotton lining

Of course, a pair of high-waisted shorts is another staple for a 1950’s style summer wardrobe. To make the shorts stand out and to make sewing them a little more challenging/fun, I decided to add little pom pom trimmings around the hem. Pom poms always makes anything 100 times more fun!

Full Circle Skirt:

Pattern: Self-drafted
Details:

  • 1 inch waist band
  • 26 inches in length (just grazing my knee)
  • Hook closure
  • with plastic horsehair braid sewn into the hem

Plastic horsehair braid sewn following the steps in Gertie’s Ultimate Dress Book

This pineapple print fabric screams “summer!” and I thought that making a full circle skirt for a fun and flirty look was absolutely compulsory. I also wanted this holiday set to be something that could be worn comfortably at the beach, so I decided to use a horsehair braid around to hem so that the skirt will have a nice structure even when I am not wearing a petticoat underneath. I mean, it would be too hot to wear a petticoat to the beach right?

Peek-a-boo!

After making a skirt, a pair of shorts and the Simplicity 1426 top with removable straps, I still have sufficient yardage to make a simple top. But I’m thinking maybe that’s enough orange pineapple fabric for now. Ummm, I also still have another one of this same fabric but in sky blue.

Well, if you like pineapples as much as I do, stay tuned for more posts on some SWEET pineapple goodness on the blog in the next month or so!

xxx

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Vintage 1950’s Red Cluster Earrings and Moonglow Necklace

VINTAGE OF THE MONTH

Sharing a vintage a month, since September 2017!

It’s the time of the month again! Yes, it’s time for me to share a piece of vintage item from my very own collection. Instead of sharing a clothing item like I had for the last 4 posts, I have decided to share some accessories this time. In fact, instead of just sharing an item, I am sharing a set of 2 items!

If you are into vintage style like me, you will probably get my love for having things in a set. This means having clothes as a set, having matching shoes and bags, and even jewellery. Basically, having a well-coordinated outfit is important, and this is achieved by wearing things that come in a set.

Owning one or more demi-parures, semi-parures or full parures of vintage mid-century jewellery has always been (and is still) a dream of mine. However, finding a set of vintage jewellery in the style and colour that I love is challenging, and often costly. As a result, I have now resorted to working within the constraints of my budget and using my creativity – I find matching pieces in identical colour to pass off as part of a set.

Here I am, introducing my first faux demi-parure in one of my favourite colours – red. How can any 1950’s-loving gal not have set of red mid-century accessories in her collection? The earrings in this set is a pair of clip-on cluster earrings made up of faux pearl beads, while the necklace is made up of crescent-shaped red thermoset lucite. How classic is this shade of red?

Cluster earrings are very popular in the 50’s and 60’s. These vintage earrings are usually clip-ons, and can have the names of the brands stamped on the back. Some of the popular brands are Coro, Lisner, and Monet, etc. However, my favourite signed earrings to buy are usually the ones signed simply with the word “Japan”. I don’t know why, but perhaps because I don’t care for brand names in jewellery, or perhaps because they evoke a certain sense of mystery – no brands, just the name of a country.  These ones are signed “Japan”.

Thermoset lucite jewellery is another type of vintage jewellery I am always on the look-out for. These plastic jewellery have a special lustre and are also described as “moon glow”. How romantic is that? The half-moon design seems to be particularly popular for thermoset lucite jewellery. But thermoset lucite jewellery can also be set in a variety of shapes like leave, circle, square, rectangle, and even heart-shape. They also come in a range of colours. Some of the colours I have seen are baby pink, coral, orange, forest green, and midnight blue!

I am slowly working on having different sets of jewellery in different colours. That way, I will always have a set of vintage jewellery to put on with any kind of colour I am wearing! This may take my whole lifetime, but hey, a girl can always dream…

Do you also love wearing a jewellery sets? What is your favourite kind of vintage jewellery?

SEWN: 1950’s style Sunday Picnic Pullover Dress (Butterick 6212)

Butterick 6212 Gwenstella MadeI have always been a fan of the 1950’s walk-away dress ever since it was featured on The Great British Sewing Bee. When Butterick reproduced the pattern as B4790, I was disappointed to find that the smallest size offered by the pattern was size 8. I’m usually somewhere between sizes 4-6, and having to grade an unusual pattern like the walk-away dress would require more thinking than I would like.

The Walkaway Dress. Left: The re-issue. Right: The original (via Butterick site and Vintage Patterns Wikia)

The Saturday Morning Dress. Left: The re-issue. Right: The original (via Butterick site and Vintage Patterns Wikia)

So, when I found the B6212, a pullover back-wrap dress which is also another re-issue of a vintage 1950’s sewing pattern by Butterick, I knew I had to get it. Some sites and posts describe it as the “Popover Dress” or the “Saturday Morning” dress. I like both names, but it’s giving me more of a “Sunday Picnic” vibe. I was smittened by the white and red gingham version on the envelope of the pattern, and while I haven’t gone for a real picnic in years, I decided that it would be the perfect colour scheme for Chinese New Year.

Of course, as with all Big 4 sewing patterns (and the sad fact that I have almost non-existent boobs), I had to make some minor adjustments to the pattern before cutting the fabric pieces out. Most of the grading of the pattern involved the bodice. I didn’t make any adjustments to the width of the waist, because I thought I could always change the positions of the buttons to make a tighter fit if I wanted.

For the bodice of the dress, I used a white linen fabric I bought in Thailand some years back, and for the skirt portion, I used a polycotton in a red/white gingham pattern. For the buttons, I decided to make my own fabric-covered buttons using the same linen fabric I used for the bodice, to create contrast in the final look.

Unfortunately, the bodice was somehow still too baggy when I tried the dress on after sewing it together. There was too much room in front of the bust! I had to take in some fabric at the front of the bodice by making some fake vertical darts (ie folding the excess fabric inwards and then topstitching it in place).

There’s also some extra room in the underarm area which I could do nothing about. It’s a little annoying, but generally tolerable as I would be wearing a slip under the dress anyway. I think this is probably one of the biggest design flaw of the dress. I can’t imagine if having bigger or smaller bust will make this problem worse. On the bright side, at least my dress looks better than the one on the McCall site!

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Despite the flaws in the design of the sewing pattern, I must say that this is a very easy pattern to sew. I love how it gives the illusion of a circle skirt without the usual yardage that is needed, since the back part of the dress is more like a shift dress. It could also probably be modified easily for an A-line skirt design!

Top: Front view. Bottom: Back view.

Making vertical faux darts on the front of the bodice

For anyone who is making this, I would strongly recommend adding the back-ties, because that allows the waist to be adjusted more easily. You know, sometimes the waist expands by an inch or so depending on how full or bloated you are!

Also, if you REALLY are thinking about making this dress, do a search and find out what others are saying about this dress. Some people really had issues with the underarms for this dress. Do your research and make an informed decision!

Have you made the Walkaway dress or this Saturday Morning dress? Are you a believer or a hater? Let me know your thoughts in the comments!

And now for the million-dollar question – who wore it better? The Butterick illustrated model or me?

SEWN: 1950’s inspired Blue Country Garden Skirt

Country Garden 1950s Inspired Skirt

In the second half of 2017, I shared a 1950’s style dress I made using a lovely blue floral fabric from the “Country Garden” series from Spotlight. Unsurprisingly, considering the not-so-secret obsession I have with having things in similar themes and style, I have a few different fabrics from this series and I intend to slowly let them creep into my wardrobe and bloom like morning glory.

This is a simple gathered skirt made with just 3 yards of fabric. The construction was simple. I basically used the skirt pattern from the Vogue 8789 pattern (but just 3 of the rectangles instead of the 4 that the pattern asked for), and added a 1.5 inch band on the top.

Country Garden 1950s Inspired Skirt

Just 3 rectangles

Country Garden 1950s Inspired Skirt

Country Garden 1950s Inspired Skirt

In my previous Country Garden dress made using the Vogue 8789 pattern, I also only used 3 rectangales instead of 4, but only because of insufficient yardage. I subsequently read some reviews on Facebook where some sewists commented that using 4 rectangles resulted in too much bulk in the waist. Since I wanted this to be a casual day skirt, I decided to just go with just 3 rectangles for the body of the skirt.

Country Garden 1950s Inspired Skirt

Country Garden 1950s Inspired Skirt

I like including the selvedge in my sewing. I usually include in the side seams, but in this project, it’s used in the hem. This way, I also get to avoid folding in the raw edge before sewing the bottom hem!

Of course, I used a side-lapped zipper, just like the way our grandmothers used to sew.

Country Garden 1950s Inspired Skirt

Country Garden 1950s Inspired Skirt

Having 3 rectangles for the body of the skirt means that there will be 3 seams for the skirt. I decided to wear the skirt with the zipper (and seam) at the back, so the other 2 seams are closer to the sides (even though they are located on the front. Regardless, the skirt is quite voluminous with the yardage involved and you can’t really catch the seams with the fluff and busy floral print.

Country Garden 1950s Inspired Skirt

Country Garden 1950s Inspired Skirt

Wearing: Secondhand white bustier, Gwenstella Made skirt, very old high street heels

I’m wearing a thrifted Betsey Johnson petticoat underneath my skirt in these photos. Despite it being a gathered skirt and not a classic circle skirt, it still has a good volume and looks good with a petticoat worn under. Can you see the seams in the photo easily?

Tell me what you think about my Country Garden series with a comment below! I love hearing from everyone. xx

MADE: 1950’s Bardot-inspired Bright Red Sweater

Bardot Inspired Knitted Red Sweater
Bardot Inspired Knitted Red Sweater

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The inspiration behind the sweater

Brigitte Bardot has always been my muse. I love her iconic woke-up-like-this hair and sense of style. When I am in need of some cute and flirty 1950’s vintage style inspirations, I always turn to Pinterest and enter “Brigitte Bardot style” in the search bar.

This picture of Bardot with her wide bambi eyes, alluring lips, unbrushed look and bright red sweater is something that caught my eye a while back. I have always wanted to have a red sweater like that.

Obviously, with a design that simple, I could always just find a similar one from a high-street store. But why would I want to do that when I know that I could make my own?

Finding the pattern

When I came across the Knitting It Old School book in a secondhand bookstore in San Francisco in 2016 and saw the pattern “Swing Time” by Kirsten Kapur, I knew I had found the right pattern. It has just the right design details: round neckline, ribbing in the body, short sleeves.

Unfortunately (and rather unsurprisingly), the smallest size offered by the pattern is for a 32″ bust. I *could* have a 32″ bust if I wore a good bra and kept my chest out all the time. But ain’t nobody’s got time for that.

I have always wanted to try grading a knitting pattern. I have graded many sewing patterns but grading knitting patterns just seems like swimming in dark waters to me. Unpicking sewing stitches is less painful than frogging a whole knitted sweater!

After reading this article from the archives of the online Knitty magazine, I decided to jump in and take a swim. Moreover, I have a ton of vintage knitting patterns that I would LOVE to knit but aren’t my size. I just have to try grading a pattern at some point.

Bardot Inspired Knitted Red Sweater
Bardot Inspired Knitted Red SweaterFinding the yarn

The next problem I faced was finding the right yarn for the project. I have knitted a fair share of projects using cheap acrylic yarn that I have bought and hoarded over the years from the time I was a poor university student. As I am starting to become more concerned about the amount of plastic amassing in landfills and floating in the ocean on planet Earth, I wanted to make the switch to using natural fibres. Living in the tropical island of Singapore where summer happens ALL YEAR ROUND makes using cotton the obvious choice. I bought my cotton yarn via a shop on Taobao.com (which is basically Chinese Amazon). The name of this stunning shade of red is, believe it or not, called “China Red” (when directly translated from Chinese).

I absolutely love this yarn! It’s a cotton blend that consists of 60% cotton and 40% milk fibre. It’s soft and easy to knit with. I have worn the sweater a couple of times and it seems to be holding up pretty well so far. Well, you can ask me again in a few months’ time!

Grading the pattern

So, for anyone who is interested, here’s how I graded my pattern:

I made a gauge and studied the different sizes of the pattern. This pattern is written for S (M, L etc) – 32 (36, 40 etc)” chest. I wanted a 30″ chest (so kinda like an XS). That means that it is 2″ smaller than the smallest size.

The difference between XS and S is 2″, while the difference between S and M is 4″.

So, when the pattern asked to CO 98 (110, 122 etc), I decided to CO 92 for my XS sweater.

110 (size M) – 98 (size S) = 12

Difference between XS and S = 0.5 x difference between S and M = 0.5 x 12 = 6

Number of stitches to CO for size XS = size S – 6sts = 98 – 6 = 92

I applied the same concept throughout for the number of stitches required and the length of certain parts that were stated.

Bardot Inspired Knitted Red Sweater
Bardot Inspired Knitted Red Sweater

Details: Gold-tone buttons saved from a vintage dress I changed the buttons for

The end result

I guess… it worked? The only other modification I made is reducing the length of ribbing for the sleeves so I won’t have the weird thick sleeve cuffs folded over and it would look more like the sweater that Bardot has. My sweater has a snug fit, which is what I want and need for the vintage look. Can you imagine what it would have looked like if I hadn’t graded the pattern!?

The original pattern describes the sweater to be a 1940’s style design. For some reason, knitting it in red made it look more like a 1950’s style highschool cheerleader sweater of some sort. Don’t you think so?

Bardot Inspired Knitted Red Sweater

Showing you the seams under the pits!

Bardot Inspired Knitted Red Sweater

A video of how I did my hair is also available on my Instagram. Photo edited with A Colour Story Stardust filter pack by Keiko Lynn.

Summary:

Pattern: Swing Time by Kirsten Kapur (from Knitting It Old School)

Yarn: Basic cotton red yarn from TaoBao.com

Modifications: Reduced length of ribbing for sleeve cuffs, graded pattern to fit XS